It's forever since I posted, which is due to a variety of things, quite high among them being tired and returning to work, and also that I prefer to do DW posts on my laptop and this one is reaching the end of its life. Though I have done some more enjoyable things this summer, and am just back from visiting my parents. So with the train delay compensation payment requests submitted, it's time for a post. Books.

To Each His Own, Sciascia. What can I say, other than that I should have read it years ago? This is simply a superb book. The form may be a detective novel, the subject is political, the condemnation sharp, the writing exquisite (I read it in English). A pharmacist in a small Sicilian town receives an anonymous death threat, and is duly murdered. Life continues much as before, except for mild-mannered academic Professor Laurana, a little vain and certainly naive, who finds himself following a lead and slowly drawn into a dangerous situation. I can't recommend it highly enough to people who enjoy a book that is really, really well-written. Especially as it isn't even a challenging ride - part of the beauty of the prose is its straightforwardness. The narrative isn't complicated, but perfectly chosen; it is the situation that is twisted.

Legend of the Condor Heroes, Jin Yong. A wuxia (martial arts society historical fantasy, think Crouching Tiger, Hidden Dragon) novel set in the 1200s, this is the first of a trilogy published in the late 1950s and with many, many film and television adaptations since then. Like a lot of genre ur-texts that are basically pulp, it tells a rollicking story in sufficiently competent prose and makes for a fun read, although the translator's choice to translate some names* and not others felt a bit odd. If I tell you that chapter 2 involves a lengthy fight in an inn, it will give those who have watched cdramas a sense of the kind of book this is. Long-lost relatives, treachery, and beautiful chaste women abound. At some point, I'll read the next one.

*Her argument for keeping the title, despite the birds not being condors, is much stronger.

The Incandescent, Emily Tesh. I ordered this from the library and was very much looking forward to it after enjoying Some Desperate Glory, but alas, I wasn't impressed. The concept of a magical boarding school story from the perspective of the teachers is great, but unfortunately I found this deeply unconvincing: thinly plotted, didactic, a trifle smug, and the worldbuilding doesn't hold up at all. Paired with Some Desperate Glory, I can see that Tesh feels passionately about education, but you need more than that to make a good novel, especially given the aforementioned worldbuilding, which fails specifically in terms of secondary/tertiary ed. You can have learning magic at school being basically socially irrelevant like Classics, so it doesn't matter that it is only taught in very expensive private schools and the entire rest of the population is shut out except for a few who have to learn it for public safety, or you can have magic be something that military R&D are passionately interested in and every shop needs to pay for magical wards for safety, but you can't have both. In the world she sets up, in every respect except "this school is unjustifiable and of course the protagonist is appropriately aware but it is also old and special and lovely", there is no way that several Scottish universities and the redbricks wouldn't have been teaching sorcery ab initio since the 1920s at the latest and the government funding it. Also, if you are telling me that the teacher cares, she really cares, and is a sensible, competent professional woman, then why the hell is she repeatedly behaving like Harry Potter and his progenitors going off to investigate things without telling anyone? I could go on (the caretaker!), but I'll spare you.

Idlewild, James Frankie Thomas. A fandom osmosis read, except it turned out to be a misosmosis. I was under the impression that it was about intense Theater Kids (US spelling for what seems to be a US phenomenon) at New England private university level possibly murdering one another, i.e. a bit of a The Secret History rip off. It is not. It does feature sort of Theater Kids, but at an expensive New York private high school. Unfortunately, fairly contemporary US private high schools are about the last setting that I am interested in reading a novel so this book started out as not really my kind of thing and remained so. But, I did read it, and I did think it was a good book. There is no murder, but there are a couple of very intense queer teenagers in a very intense friendship at a Quaker-ethos school that I thought was rather well depicted as supposed to be offering something different because it was a Quaker-ethos school, but that actually was failing its pupils in a highly conventional manner*, and US 2003 setting that seems well-drawn but that, obviously, I didn't personally relate to. Mostly what I admired was the novelist actually having something to say and saying it in a book about queer and trans experience, in a particular time and place, and accepting that something with any depth is inherently not going to speak to everybody's experience, and Thomas doesn't waste his or the reader's time hesitating to commit to his story and characters. It didn't speak to me personally - much though I enjoyed the recognisable early 2000s LJ milieu - but what does that matter? It spoke to other people, and it made an effort to be something.

*I found myself wondering whether Fay would have been better off at a standard school that would haved force all pupils through the hoops to higher education and its potential for self-discovery, or whether that would have been even more destructive.